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in the '60s, the u.s. government began building fortifications around itself. they started in new york, los angeles, san francisco, and washington, d.c., under the code name decoration day. the projects were designed to protect the country from the spreading of communism and to protect the freedom of the people to protest and free speech. the military held trilbies, linen jackets and formal military clothing for the workers. these workers are the main characters of the film. they are working for (unspecified) "high-ranking military leaders" who play a large role in the final trilogy. we are introduced to these characters by one of the movie's main characters - mark rackley, who gives us an overview of the film. it's a unique concept for a film that was initially shown at the sundance film festival. it's also a very different film. it has some dark tones and the atmosphere is really eerie.
the hundred thousand kingdoms - there are probably a thousand steampunk novels out there, but only one can be true steampunk. the hundred thousand kingdoms (or hundred thousand kingdoms and a hundred thousand others) by n.k. jemisin takes place in a world where history is about to be rewritten. in a post-apocalyptic world driven by a declining human population and a growing caste system, a young nobleman named kip and a prostitute named dev discover that each can cast a spell of sorts, a “work,” that allows one to cast a spell without the risk of drawing the attention of a council-appointed priest. kip’s work allows him to fly for the first time, but within moments of taking flight, he and dev are surrounded by armed men of the “four,” a sect of deviant descendants of royalists who dispense their own brand of justice. their leader is a man named morden, who’s enchanted a powerful artifact, a cestus, which allows him to cast and replicate magic spells. as morden’s followers surround the pair, kip and dev must try to rescue dev’s longtime friend creusa, a young woman being held captive by morden and his retinue. a thousand ships - at last. the first of my planned "fantasy trilogy" reviews. i'm a huge fan of the epic fantasy genre, with authors like grr martin, patrick rothfuss, steven erikson, and robin hobb, but less common is the "metasploitation" branch, which blends horror and fantasy tropes in order to produce something new and interesting. a thousand ships is one of those books. a young, gifted man called hamo travels from the city of ahram to the town of cold bluff in order to investigate a series of murders taking place within the town. one day, hamo goes to the local inn and strikes up a conversation with the owner, a woman named lava, who leads him on a quest to find the murderers and restore her tavern to its former glory. but, as hamo becomes closer and closer to the truth about the murders, he quickly realizes that they may have deeper implications than he ever could have anticipated. the traitor baru cormorant: laughter in the dark - baru cormorant is remarkable in a number of ways. she's the first character in a long time in which i had so much interest. and her gender and sexual identity is one of those things about her which is revolutionary, even for a futuristic setting. add to that the fact that she's a brilliant chancellor who's wickedly funny and charming, and, well, you'll see why i found her so immediately likeable. baru is essentially the first and so far only person in the world who doesn't fear the erased, a race of ancient, literally-erased human beings who can only be killed by ripping off their ears. they can be "erased" either via multiple insertion or a fatal bite, and they consider themselves superior to other races due to their ability to erase others and their conviction that there are many more worlds like their own. those beliefs are held by others, naturally, and more importantly by her. and, as chancellor, baru has political standing to secure for herself and for her people. to that end, she's damned well going to make it an issue. aside from her and her family, the erased are the only human species. a compelling mixture of detailed world-building and surprising introspection make baru one of the most interesting characters i've read in a long time. 42d8ba546e1