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download lg smart tv box software freetodo list for windows 8.1unlock code for iphone 5s windows 7 pro full versionfree download yahoo messenger for pc windows 7guinness world records games pc free downloadfull version of windows 10 free no spyware download for pc winrar 6 pc windows 10 downloadthe game of thrones winrar 6.0 installation free downloadfun app 1 how to download windows 7 for free downloadeagle eye device windows 10 driverSt. Mary's Cathedral, Louvain The Church of Our Lady of Sion, also called the Lady Chapel of the extirpated University of Louvain (; ) or the Lady Chapel of the University of Louvain ("Lady Chapel of the University of Louvain") is the only surviving building of the University of Louvain which was not destroyed altogether on 22 August 1914, as ordered by German occupation authorities. It combines a Gothic hall of Romanesque design, constructed from 1240 to 1256 by Humbert II de Savoye, and a Gothic building constructed in the second half of the thirteenth century (masses of 1284 and 1293). The majority of the furnishings were removed at the time of the German occupation of the city (1940-1944), but some are still visible, including the stone relief-work of the capitals by Master Van Rees, and the remarkable statue of Queen Hadewijch of Brabant, made in the final years of the style (c. 1340), the only remaining statue in the Gothic style outside Italy. As originally built, it was the largest Gothic chapel in continental Europe. The original chapel was dedicated to Our Lady Queen of Sion. As the university grew and the number of students grew, dedicated pilgrimages, which used to be great, diminished and at the beginning of the nineteenth century the chapel had been enlarged and the old main chapel was renamed the Chapel of Our Lady of Sion. The chapel of Our Lady of the Trinity, dedicated to the Holy Trinity, was completed fifteen years later. The chapel is built in a circular groin vault, which was revealed during construction. A granite rose window was added in the choir. In the thirteenth century, the depicted scenes on the stained glass windows were already rather gloomy and sorrowing. From the fifteenth century, the scenes became increasingly lively and bucolic. The splendidly decorated borders and the splendidly colored windows are the last works of the artist named as the Master of the Women (or Master of the Women in the Trinity Chapel) (called 'Master of Maestricht' in the thirteenth and fourteenth century) from the early to mid thirteenth century. From the 1550s to the 1560s, cycles of frescos were made by several masters, such as Quentin Metsys, Martin van Nieuwenhove or Jan Gossaert. They depict seasons, groups of plants and animals, scenes from the church's calendar and Christian mythology. Master Van Rees's sculptures In 1340, Master Van Rees (master of sculpture at the university, 1281–1294) made the statues of the Virgin Mary in an elaborate and somewhat heavy style. Today, only three of the statues remain. The view of these statues from the rear of the chapel shows that they were originally more than 3.2 m tall and heavy. The statues were originally posted on both sides of the chapel. Only the one to the left survives. 1. The Virgin Mary sits on a rock. 2. Mary relates to a child the history of the resurrection. 3. ed3faa56471