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After the first few pieces, I was looking forward to the violin going along with the piano. After all, they do in his own compositions, as they did for a couple of years during the 1940s, when he conducted a series of workshops in the New Orleans schools. Gillock was the first professional composer to write a piece for two pianos, and his was a very successful partnership. The violin writes with remarkable clarity and musicality. His music for two pianos is among his most popular works. It needs two pianos instead of two pianos and a violin to produce the clarity and intimacy that he achieves in his violin concerto. William Gilchrist published his notes for this piece in1965. The violinist Paul Horner and I performed several encores of this piece in several occasions in New Orleans, the most memorable was during the New Orleans Piano Institute in 2008, after Gillock was inducted into the National Piano Hall of Fame. He was overjoyed to be honored at the annual Organ recital event at St. John the Baptist Church. In 2009, a violin and piano duo under the direction of Walter Gibbons gave one of the best concert performances of this piece I have ever heard. Walter played the solo parts on the piano, and Janet Burnett played the solo violin part. The performances were exquisite in every way. I have had many hours to reflect on this piece now, watching the video of the 2009 concert performance and, among other things, contemplating the validity of the author’s concept of “piano-less” piano. For some reason, Gillock made it sound like I had to use the piano to get anything accomplished. I have also realized that the line of text preceding on the piano staves that narrate the violinist’s Every composer you know will tell you that Read more href= data-gt-translate-attributes='[{attribute:data-cmtooltip, format:html}]'>what the violin and piano do together is very important is. It is important and so should it be.